I’ve been meaning to update this blog more because I have a lot in the pipe I want to get out on here. As I finish college and get into the real world I want to make this a sort of interactive resume for potential employers. That also means you guys can look at all the neat stuff I have been working on.
Recently, I have built myself a new machine and can now edit video like nobody’s business so I want to get into vlogging again. Everyone loves vlogging!
In terms of my “Game Design Diary” the worst thing that could happen, did happen. A dude who is far more eloquent and well versed in the topic wrote about it – Jeremy Parish. He has been doing his “Anatomy of a Video Game” series for a while and he landed on Metroid right about the time I did. Anyway here is a link to the first article. It is really well done and worth the read.
I started Metroid as my prior post indicated I would do. I consider myself a fairly masochistic gamer (I have all 10 Mega Mans under my belt without any cheat or help), but I never was a map maker. The furthest I have gone is Etrian Odyssey with the ability to “auto-map”. There is one concession I made with Metroid. I wanted a map. The one you see above is the map I have been using and marking off as I progress. I have not used any other guides or walk-throughs.
Metroid nails some things off the bat. The atmosphere is spot on. It feels desolate and alien and the sparse use of music and effects adds to the tone of the game. The learning curve in the game can be very daunting. This can be viewed in one of two ways, rewarding or overly-complicated. My take is that it’s learning curve discourages new player, to the point where they stop playing. Hell, I’ve started Metroid three or four times prior and never stuck with it. It drops you in without so much as ‘hello’. I would give subtle hints to get the player invested. These are fairly moot points in terms of the Metroid francise because they adress this concern in Super Metroid. That being said, this is for my benefit, not Nintendo’s.
In general I don’t care much about graphics in a game. The gameplay mechanics and motivation are far more important, but I should at least comment on the visual style. Despite many modern games with their muddied brown-grey-brown palette, Metroid uses high-contrast and stark blackness to create a very compelling color scheme.
Each area of the game has a color scheme that makes it feel distinct and packs a punch. Games shouldn’t be afraid of color.
One of the surprising things I encountered in the game is the run-and-gun strategy ala Mega Man just doesn’t work. The enemy placement and behavior has been thought through and punishes this action. For instance, there is this enemy called a Waver. It’s action is basically to move in a sine wave pattern and change direction when it bounces off things. They take a lot of hits, but their patterns are predictable so it’s best to avoid them all together if possible.
Here is when I first noticed:
When you first enter the door on the left you will see the enemy come towards you. Your initial instinct is to run at it guns blazing. The best strategy however is to stay put and let it get to the maximum height of its arc and then run under it. You can outrun it and avoid the encounter all together. This ladies and germs is smart enemy placement. They most likely figured that out by play testing and seeing people’s behavior. Play testing is imperative. I love that the game makes you think about what your doing instead of mindlessly running around. It becomes an immersive experience instead of a passive one. The games that I tend to enjoy.
That will finish up the first update. I still have more to play and more notes to take. This first session has been super helpful and I hope to continue this. More to come!
So, for a change of pace I thought I’d talk about video games (The joke here is that lately that is all I’ve written about). I notice I don’t talk about “deep” stuff anymore. I think it’s being worried about revealing too much online in combination with becoming an adult and having less “profound, life-changing” realizations. It’s not sad or depressing to me, it’s just growing-up.
I still wholeheartedly believe in the Socratic adage, “The unexamined life is not worth living.” Do it. Examine everything. Be a skeptic. Ask a lot of questions. Accept criticism. Don’t be afraid of change. The problem is the results usually are more personal and less universal these days.
This was not the intention when I started this post. Not even close. It does kind of lead into what I did want to talk about though. (I am going to transition this dammit!) One of the things I’ve always wanted to do is make a video game. Not just some throw-away clone of something else, but a true, honest to goodness video game. What the best advice a writer can get on how to better their skills? Read books. A lot of books. With a critical eye. So, I am adapting that advice and applying it to this situation. I want to make game. How do I make a good one? Play lots of games. With a critical eye.
I have very little free time. Very little. The time I do have I want start taking detailed notes on the things good games do right, and what they do wrong. I am going to write it up here and hopefully use those notes in some magical future project that I will work on and make the entire world happy to play. That is a totally reasonable and attainable goal.
The first game on the metaphorical chopping block is Metroid. The NES classic. I love the Metroid series. Yes, even Other M without the misogynistic overtones. I’ve never beaten the original, so I am going to go back to the source. I feel that often with the technological barriers falling, game designers lose sight of the important aspects and go for the whiz-bangs and flashy graphics. Technological restrictions gave birth to many creative solutions. That is why I think this is a perfect place to start. Stay tuned for my write-ups if that interests you at all. I am trying to hang-up my fanboy pants and put on my…objective…pants (this metaphor has fallen apart). Once again to Zebes!